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CES 2015: Android Retro Kit

Craig Grannell dons his old-git hat and grumbles about how iconic old gadgets simply become yet more Android devices

CES 2015: You can’t go back: Android ‘retro’ kit just isn’t the real thing
Each year, CES throws up (figuratively, although some people might argue almost literally) certain themes that set the course for technology for the rest of the year.
In 2014, it was all about smart technology, which, sure enough, became increasingly absurd as the months passed.
This year, possibly due to the economy still being given a thorough thrashing, there’s a clear attempt to infuse technology with familiarity and the warm, fuzzy glow of nostalgia.
By way of example, there’s the new Kodak Instamatic and the new Sony Walkman. Both of these names propel me back to simpler times, blissfully free from mortgage payments, nappies, constant nagging notifications on multiple black rectangles, and spam.



WIRED FOR SOUND 


CES 2015: You can’t go back: Android ‘retro’ kit just isn’t the real thing

My Walkman was already old when I got it - a hand-me-down from my mother. I recall it (probably erroneously - although only slightly) being about the same size and weight as a housebrick.
The thing was so bulky that it came with a shoulder strap rather than a belt-clip, in order that it not yank your trousers down at inopportune moments. Its heft was such that if you spun round too quickly, the thing would fly dangerously about your person, causing you to send friends flying into walls, or turn hideous (but, at the time, weirdly fashionable) ceramic owls and field-mice into exciting three-dimensional puzzles.
Despite this, I loved the thing, with its giant clicky buttons, even as it chewed through batteries (and sometimes the cassettes it was supposed to be playing). It was this that cemented itself in my head whenever I thought ‘Walkman’, eclipsing any successors with their new-fangled shiny discs, MiniDiscs, and MP3s.

CES 2015: You can’t go back: Android ‘retro’ kit just isn’t the real thing

Similarly, Kodak Instamatic has an important place in history for a great many people, ushering in an age of relatively low-cost photography, and boasting form factors that were tactile, beautiful and approachable. Naturally, by the time I got my hands on one, it was already pretty old, but that merely somehow made it feel experienced and worldly wise.
This was a camera that had been places; it quickly became a cherished item - something magical that had a life of its own.

Old for old's sake?

CES 2015: You can’t go back: Android ‘retro’ kit just isn’t the real thing

At CES 2015, though, the modern-day interpretations of these classics bear little relationship to their forebears. Admittedly - at least from certain angles - you might initially think otherwise. The Instamatic certainly has an unmistakable form factor, and while there’s no such immediate familiarity with the Walkman, it nonetheless intrigues with its chunky buttons and textured matte black finish, emblazoned with a gold Walkman logo.
But flip these devices over and you’re abruptly wrenched back to the present, faced with touchscreens running Android. Naturally, this is about pragmatism, utilising a relatively freely available foundation in order to create new high-tech gadgets. But by encasing these items in retro clothing, they end up feeling a little hollow and soulless.
They’re neither one thing nor the other - not classic kit, nor anything truly new.
For the nostalgic, there’s a whiff of cynicism in the air, of trying to part old fools with their money. And for relative youngsters who never experienced a Walkman or Instamatic first-hand, you have to wonder whether these Android devices would have been better just shooting for being amazing in their own right.
As it is, while the originals were game-changers, these new tykes simply feel like more of the same. And truly, they are proof that in the world of technology, you can never go home again — unless you visit eBay.

Ps4 Disk Eject Problem Solved

Sometimes the PS4 will constantly eject the disk, even when there is no disk in the drive. If you try to insert a disc the PS4 will not accept it, and eventually spit it out and continue trying to eject a disk that isn’t there.

http://techbooters.com/wp-content/uploads/2014/04/PS4-Auto-Ejecting-Disc-730x410.jpg

We’ll explain how to fix a PS4 ejecting a disk when there is no disk in, including how you can fix this PS4 problem without opening up your PS4 or sending it back to Sony.
We ran into this PS4 problem when re arranging our home theater and turning the PS4 vertical for a few minutes while attempting to clean the dust off the device without scratching the surface.

Use this trick to fix a show-stopping PS4 problem.

Use this trick to fix a show-stopping PS4 problem.
When plugging the PS4 back in it ejected Assassin’s Creed Unity and continued trying to eject a disk over and over. Turning the PS4 off did not fix the problem, but there is a quick fix for most users.

Fix PS4 Eject Problems No Disk In Drive

If your PS4 keeps trying to eject a disk, here is how you can try to fix the problem without sending it in to Sony for repair. This is not the same issue as unexpected disk ejects that are a problem for some users, but it is still very annoying.
  1. Unplug all the wires from your PS4. This includes HDMI, Ethernet, audio and power.
  2. Now, count to 10 and then press the power button until the PS4 lights up for just a half a second.
  3. Yes, this works with the power cord unplugged.
  4. After this happens, count to 5 and plug the PS4 back in and get back to gaming.
It doesn’t sound like this will work, but it saved a frustrated call to Sony and got our PS4 back up and running in a few minutes. There is a chance you’ll hear a click and not see a light, but overall this should fix the PS4 constantly ejecting a disk problem.
For users who experience this problem more than once, it is a good idea to check out a full repair from Sony, so you don’t run into this PS4 problem after your warranty runs out and get stuck with a big problem you can’t fix on your own.
There does not appear to be any specific disc that causes this, but you can take steps to avoid this. Make sure you shut down the PS4 properly before unplugging it and remove all disks before you move the PS4 unit. This includes simply lifting it up to move and dust it, which is what broke our PS4 for a short period.
The PS4 warranty lasts one year, but you can buy an extended PS4 warranty for $49.99 that adds three years of additional coverage to the PS4. The only catch is that you need to do this before the first year of coverage is up. Once that passes you will need to fix the PS4 yourself or pay Sony to fix the PS4. If your PS4 warranty just expired you can try to convince support to help you out, but that’s not a sure thing.

Sony NWZ-ZX1 High-Resolution Walkman Review

Sony reckons the way to resurrect the MP3 player is to ditch MP3s and go all high-end and high-res. Your ears will love it, but your wallet less so


Since smartphones came along, more people have been using them as their sole means of listening to music on the go. Carrying multiple devices around is a pain, after all.
But there are those who care more about sound quality than convenience, and they’re in for a treat, because the latest Walkman sounds awesome. The Sony NWZ-ZX1 is a seriously premium player, and one that focuses on hi-res, Studio Master music. It’s also the best sounding portable device we’ve ever heard.


Resolution revolution

So what’s high-res audio? Short version: it’s a bit like 4K for you ears. It’s better sound quality than CD (you do know they compress your music before they put it onto a disc, don’t you?), with "better" meaning "closer to what musicians and engineers intended in the studio". It’s the Next Big Thing in audio.
It’s all about reconstructing an analogue sound wave as accurately as possible, and this is where we introduce The Science Bit.
You see a sampling rate is the number of samples taken per second when analogue sound waves are converted to digital. The more samples taken per second, the closer the sound is to the original sound wave. Meanwhile, bit depth describes the accuracy of that sample. A typical CD measures 16-bit/44.1kHz. A high-res audio track, meanwhile, may measure 24-bit/192kHz.
Got it? No? Don’t worry – just remember it all results in more data and therefore more detail and better sound and you’re golden.
High-res audio itself is nothing new. There are already smartphones around that can handle these files – LG G2, Google Nexus 5, Samsung Galaxy Note 3, to name a few. What’s new is that high-res audio has now taken off far enough for big companies to make dedicated players that sound way better than those phones.

Enough numbers! How does it sound?


Load up a high-res track and you get an impressively refined sound with layers of subtle detail. You’ll spend a lot of time noticing parts of your favourite songs you’ve never heard before. The soundstage is wide, well organised and timing is spot-on.
The ZX1’s tonal balance is good, too, but the well-defined, hard-slapping bass deserves a special mention. Combine that with extended, punchy dynamics and it’s a seriously engaging, exciting sound.
We started comparing the ZX1 to an iPod Touch and things got ugly for Apple very quickly. The Sony is way ahead in every department, from its weighty delivery to its extraordinary precision. We’ve always been keen on the iPod’s sound, but next to the ZX1 it comes across as brash and unsophisticated. It comfortable beats those high-res-playing phones we mentioned, too.
It’s not all down to the high-res tracks, either. We loaded up both devices with the same CD-ripped WAV files and it was still easy to pick the devices apart.

A question of content

There is still one fairly significant problem, though - high-res music might be the next big thing, but right now it's not that easy to get hold of. You can't get any on iTunes, and even Sony itself seems reluctant to go any higher than MP3 for its own download store. The likes of Naim and Linn have high-res music stores, but the selections aren't especially mainstream.
For now your best bet is to go with HDtracks. It's officially US-only but there are easy ways to work around that, and a Indian launch is expected in the next few months. A direct connection from player to download store and a whole load of new music is definitely needed if Studio Masters are going to make a proper impact, though.

Unusually good looking


It’s not just the sound that separates the ZX1 from the competition. If there ever was such a thing as an anti-iPod, this is it. Sony has clearly tried to distance itself from Apple’s aesthetics, and the result is gorgeous. It’s a striking design with a premium feel that rivals anything coming out of Cupertino, and feels less delicate, too.
It’s a proudly asymmetrical slab of aluminium that wants nothing to do with simplicity and rounded edges. The glass face drops off abruptly into a straight edge, where the physical controls make us happy by allowing us to change tracks in our pockets.
The bottom edge of the ZX1 has a gleaming brass cylinder that’s so big it rises slightly above the screen. We’re not sure why: theoretically it allows internal cabling to be a bit thicker (and improve sound quality). Sony says it reduces contact resistance.
The literally outstanding aspect of the ZX1’s design is its bottom third, which protrudes at the back. This is because Sony felt like putting in a larger amplifier block, straight lines be damned. It’s unusual, but it serves the handy secondary purpose of sitting in your hand quite nicely. It doesn’t wobble on a table, but Sony has included a tiny wedge of plastic in case you’re that worried about perfect flatness.

Standard features


While the ZX1 has been outstanding in its sound and design, its features are fairly normal. It runs on Android 4.1 Jelly Bean, which is safe but not particularly exciting these days. The 4in screen makes it easy to navigate the device. There are good colours, but the picture isn’t sharp enough for proper movie watching or gaming.
There’s also NFC at the back for easy Bluetooth pairing, as well as a tiny speaker masquerading as a Walkman logo. We’re quite not sure why you’d spend £550 on a high-end audio device and then play music that way.
Then there’s the matter of storage. You get 128GB on board, and that’s it. There are no models with different capacities, and no slot for external memory. It’s a pretty good offering for the money (the biggest iPod Touch has 64GB and costs £330), but not including a memory card slot feels a bit silly, especially when you consider that hi-res music files are often absolutely massive.

Sony NWZ-ZX1 Walkman verdict

We love it. We love the design and we love the sound. And its features are pretty decent, too.
The problem is how niche it is. No-one’s buying dedicated MP3 players anymore because everyone’s using their smartphone as their portable music player, and you’re going to have to be seriously dedicated to the hi-res music cause to feel that it’s not only worth carrying around an extra portable and going the extra mile to find and download high-res music, but also worth spending an extra £550 on the privilege.
If you are that seriously dedicated, we applaud you, and we know you’ll love the way this pioneering Sony sounds. One day the rest of the world will catch up.

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